Jilaine Jones
Sculpture
![]() |
| Jilaine Jones Wonder World 2006, photograph by Tim Nighswander |
|
Like any serious modernist, Jilaine Jones renews tradition through its subversion. The depth of her understanding of the language of sculpture is revealed in her willingness to turn it inside out. In her handling, for instance, armature becomes frame, with metal as much supported by as supporting clay. Sometimes these elements are kept in tension, recalling fundamental distinctions between modeling and welding, while at other times the distinctions are allowed to dissolve. |
checklist »
Wonder World 2006 steel, concrete, rockboard, 144”L, 48”W, 94”H She is Like Her Children, 2005 steel, hydrostone, 22”L, 18”H, 15”W Five Cart Loads, 2008 steel, hydrocal, 26”L, 17”W, 28”H Portrait of a Solitary Walk, 2007 steel, concrete, brownstone, 108”L, 67”W, 86”H
Essay »
By: Susan Rosenberg Jilaine Jones What Surrounds Her House 2008 [not in exhibition] Normal 0 0 1 1599 9117 75 18 11196 11.1282 0 0 0 Metal and clay are sculpture’s brain, flesh and bones, tools for materializing its conceptual and physical armature. Intermediaries between an artist’s ideas and ...
Resume »
Normal 0 0 1 495 2824 23 5 3468 11.1282 0 0 0 1959 Born: London, England, and soon after, immigrated to USA. Training & Experience 1978-79 New York State College of Ceramics, Alfred, NY School of the Museum of Fine Arts, Boston, MA Assistant to James Wolfe, ...

